
Petah Coyne
Untitled #1375 (No Reason Except Love: Portrait of a Marriage) (detail), 2011-12
Petah Coyne
Untitled #1375 (No Reason Except Love: Portrait of a Marriage), 2011-12
Specially-formulated wax, pigment, silk flowers, taxidermy, chandelier, candles, ribbons, black sand from pig iron casting, resin, paint, black pearl-headed hat pins, chicken-wire fencing, wire, cable, cable nuts, quick-link shackles, jaw-to-jaw swivel, silk/rayon velvet, 3/8" Grade 30 proof coil chain, Velcro, thread, plastic
81 x 71 x 66.5 inches (205.7 x 180.3 x 168.9 cm)
Petah Coyne
Untitled #1388 (The Unconsoled), 2013-14
Specially-formulated wax, pigment, silk flowers, taxidermy, paint, thread, wire, floral tape, steel, metal hardware, maple, birch plywood, aluminum
96 x 60 x 12 inches (182.8 x 152.4 x 30.5 cm)
Petah Coyne
Untitled #1408 (The Lost Landscape), 2015-18
Specially-formulated wax, pigment, silk flowers, waxed taxidermy, tree branches, chandelier, synthetic feathers, paint, black pearl-headed hat pins, tape, chicken-wire fencing, wire, steel, weights, cable, cable nuts, cable crimps, quick-link shackles, jaw-to-jaw swivel, silk/rayon velvet, 3/8" Grade 30 proof coil chain, Velcro, thread, plastic
66 x 65 x 61 inches (167.6 x 165.1 x 154.9 cm)
Petah Coyne
Untitled #1408 (The Lost Landscape) (detail), 2015-18
Petah Coyne
Untitled #1177M (Tamura Toshiko), 2003-18
Chandelier, black sand from pig iron casting, acrylic polymer, paint, chicken-wire fencing, wire, quick-link shackles, jaw-to-jaw swivel, silk/rayon velvet, 3/8" Grade 30 proof coil chain, Velcro, thread, plastic
35.5 x 42.5 x 39.5 inches (90.2 x 108 x 100.3 cm)
Petah Coyne
Untitled #1410 (Mishima's Spring Snow), 2015-16
Specially-formulated wax, pigment, ribbons, candles, chicken-wire fencing, wire, cable, cable nuts, thimbles, glue, steel, quick-link shackles, jaw-to-jaw swivel, silk Duchesse satin, 3/8" Grade 30 proof coil chain, Velcro, thread, paper towels, plastic
66.5 x 46.5 x 46.5 inches (168.91 x 118.11 x 118.11 cm)
Petah Coyne
Untitled #1410 (Mishima's Spring Snow) (detail), 2015-16
Petah Coyne
Untitled #1289 (The Year of Magical Thinking) (detail), 2008-17
Petah Coyne
Untitled #1289 (The Year of Magical Thinking), 2008-17
Silk/rayon velvet, cotton batting, felt, thread, wood, chicken-wire fencing, wire, screws, washers, hanging brackets, Oz clips
33.5 x 66 x 17 inches (85.1 x 167.6 x 43.2 cm)
Petah Coyne
Untitled #1379 (The Doctor's Wife), 1997-2018
Specially-formulated wax, pigment, silk flowers, silk/rayon velvet, tassels, Cast-wax statuary figures, human hair, black pearl-headed hat pins, wire, thread, felt, cotton batting, chicken-wire fencing, wood, masonite, steel, acrylic paint, nails, bolts, screws, washers, wing nuts, latches, 3/8" Grade 30 proof coil chain, cable, cable nuts, shackles, Velcro, plastic
96 x 193.5 x 97.5 inches (243.8 x 491.5 x 247.7 cm)
Petah Coyne
Untitled #1379 (The Doctor's Wife) (detail), 1997-2018
Petah Coyne is a contemporary American sculptor and photographer. Since the 1980s, Coyne has received critical acclaim for using intricate, unorthodox material—trees, human hair, scrap metal, wax, silk flowers, religious statuary, and taxidermy—to create sculptures that are both precise in their attention to detail and baroque in their emotional range. Literature, film, art history, and the depths of an individual’s soul are all springboards for Coyne’s incessant and unrelenting imagination. In Coyne’s hands, materials, like our lived experiences, are endlessly re-purposed and reborn into something new.
Coyne’s sculptures and photographs have been the subject of more than 30 solo museum exhibitions. Her work resides in numerous permanent museum collections including the Museum of Modern Art, New York;
Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; Philadelphia Museum of Art, Pennsylvania; San Francisco Museum of Modern Art, California; National Museum of Women in the Arts, Washington, D.C.; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Museum of Contemporary Art San Diego, California; Museum of Contemporary Art KIASMA, Finland; and many others. She is the past recipient of grants from the Pollock Krasner Foundation, Anonymous was a Woman, and the Guggenheim Foundation.
Born in Oklahoma City, Oklahoma, in 1953, the artist currently lives in New York City.
by Hilarie M. Sheets
September 13, 2018