Nancy Spero
Cri du Coeur, 2005
Detail view
Nancy Spero
Cri du Coeur, 2005
Handprinting on paper mounted on polyester poplin
25 x 1,925.4 inches (83.2 x 4,893.1 cm)
Installation view: Galerie Lelong, New York, 2005
Nancy Spero
Maypole: Take No Prisoners, 2007
Detail view
Nancy Spero
Maypole:Take No Prisoners, 2007
Handprinting on aluminum, ribbon, steel chain, and aluminum pole with steel base
Variable dimensions
Installation view: Galerie Lelong & Co., New York
Nancy Spero
Masha Bruskina/Vulture Goddess, 1996
Handprinting and printed collage on paper
72.5 x 19.5 inches (184.2 x 49.5 cm)
Nancy Spero
Sheela-Na-Gig at Home, 1996
Handprinting on paper, underwear, clothesline, clothespins, video
Variable dimensions
Installation view: Museo d’Art Contemporani de Barcelona, Spain, 2008
Nancy Spero
Sheela-Na-Gig at Home, 1996
Detail view
Nancy Spero
La Renommée, 2004
Handprinting and printed collage on paper
25.4 x 19.25 inches (64.5 x 49 cm)
GL8035
Nancy Spero
Artaud Painting – “Je ne touche plus…”, 1970
Gouache and hand-painted collage on paper
24.5 x 19.5 inches (62.3 x 49.5 cm)
Nancy Spero
P.E.A.C.E., Helicopter, Mother + Children, 1968
Gouache and ink on paper
24 x 19 inches (61 x 48 cm)
Nancy Spero
Bomb, Dove and Victims, 1967
Gouache and ink on paper
24 x 36 inches (61 x 91.4 cm)
Nancy Spero
Lovers, 1965
Watercolor on paper
18.75 x 23.75 inches (47.6 x 60.3 cm)
In a groundbreaking career surpassing 50 years of practice and encompassing many significant visual and cultural movements including Conceptual Art, Post-Modernism, and Feminism, Nancy Spero made the female experience central to her art and challenged aesthetic and political conventions. Spero’s lexicon was derived from an immersion in the history of images, notably from Egypt, classical antiquity, pre-history, and contemporary news media. She combined, fractured, and repurposed found imagery and adopted text to comment on contemporary and historical events such as the monstrosities of the Vietnam War, extermination of Jews during the Holocaust, and torture of women in Chile. With raw intensity, Spero executed works on paper and installations that persist as unapologetic statements against the pervasive abuse of power, Western privilege, and male dominance.
Spero’s work is held in over 50 prominent public collections worldwide including the Art Institute of Chicago, Illinois; Centre Pompidou, France; Museo Nacional Centro de Arte Reina Sofía,
Spain; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Tate Gallery, England; Whitney Museum of American Art, New York; Museum of Fine Arts Boston, Massachusetts; and Dallas Museum of Art, Texas. Major monographic exhibitions of Spero’s work have been shown at renowned museums including the Museo Rufino Tamayo, Mexico; Centre Pompidou, France; Serpentine Galleries, England; Museo d’Art Contemporani de Barcelona, Museo Nacional Centro de Arte Reina Sofia, and Centro Andaluz de Arte Contemporáneo, Spain. Between 2019 and 2021, a major retrospective exhibition travelled to the Museum Folkwang, Essen, Germany; Nordic Watercolour Museum, Skärhamn, Sweden; Louisiana Museum of Modern Art, Humlebæk; and the Lillehammer Art Museum, Lillehammer, Norway. Spero’s installation Maypole: Take No Prisoners was presented in 2007 at the 52nd Venice Biennale, and later at MoMA PS1 as part of the retrospective exhibition Paper Mirror (2019).
Spero was born in Cleveland, Ohio, in 1926. She died in New York City in 2009.
Hirshhorn Museum and Sculpture Garden
Washington, D.C.
August 2, 2022 – Fall 2023