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Art Basel

Booth B5

June 11 – 16, 2024

Etel Adnan Staring at the Sun, 2017 / 2023 Wool Tapestry 70 ⅞ x 73 ¼ in (180 x 186 cm) Edition of 3 + 1 AP (GP2881)

Etel Adnan

Staring at the Sun, 2017 / 2023

Wool Tapestry

70 ⅞ x 73 ¼ in (180 x 186 cm)

Edition of 3 + 1 AP

(GP2881)

Leonardo Drew, Number 412, 2024

Leonardo Drew

Number 412, 2024

Wood, plaster, and paint

38 x 66 ½ x 7 in (96.5 x 168.9 x 17.8 cm)

(GL16382)

Ficre Ghebreyesus Untitled, c. 1996-2000 Acrylic on canvas 12 x 12 in (30.5 x 30.5 cm) Framed: 13 ⅜ x 13 ⅝ x 1 ¾ in (34 x 34.4 x 4.4 cm) (GL13787)

Ficre Ghebreyesus

Untitled, c. 1996-2000

Acrylic on canvas

12 x 12 in (30.5 x 30.5 cm)
Framed: 13 ⅜ x 13 ⅝ x 1 ¾ in (34 x 34.4 x 4.4 cm)

(GL13787)

Sarah Grilo Picasso, c. 1970 Oil on canvas 53 ⅛ x 35 ⅜ in (135 x 90 cm) Framed: 52 ⅛ x 32 ¾ x 2 in (132.5 x 83.2 x 5.2 cm) (GL16310)

Sarah Grilo

Picasso, c. 1970

Oil on canvas

53 ⅛ x 35 ⅜ in (135 x 90 cm)
Framed: 52 ⅛ x 32 ¾ x 2 in (132.5 x 83.2 x 5.2 cm)

(GL16310)

Ana Mendieta, Isla, 1981 / 2023

Ana Mendieta

Isla, 1981 / 2023

Black and white photograph

37 ¾ x 30 in (95.9 x 76.2 cm)
Framed: 38 ¾ x 31 x 1 ¾ in (98.4 x 78.7 x 4.4 cm)

Edition of 6 with 2 AP

(GP3566-C1)

Jaume Plensa HORTENSIA, 2021 Alabaster, paint 47 ¼ x 15 ¾ x 18 ⅞ in (120 x 40 x 48 cm) 248 kg (GL15788)

Jaume Plensa

HORTENSIA, 2021

Alabaster, paint

47 ¼ x 15 ¾ x 18 ⅞ in (120 x 40 x 48 cm)
248 kg

(GL15788)

Pinaree Sanpitak Under the Blue Sky, 2024 Acrylic, fabric, and silver leaf on canvas 78 ¾ x 59 in (200 x 150 cm) (GL16346)

Pinaree Sanpitak

Under the Blue Sky, 2024

Acrylic, fabric, and silver leaf on canvas

78 ¾ x 59 in (200 x 150 cm)

(GL16346)

Nancy Spero Bomb, Dove and Victims, 1967 Gouache and ink on paper 24 x 36 in (61 x 91.4 cm) Framed: 27 ⅞ x 39 ⅝ x 1 ½ in (70.8 x 100.6 x 3.8 cm) (GL8666)

Nancy Spero

Bomb, Dove and Victims, 1967

Gouache and ink on paper

24 x 36 in (61 x 91.4 cm)
Framed: 27 ⅞ x 39 ⅝ x 1 ½ in (70.8 x 100.6 x 3.8 cm)

(GL8666)

Michelle Stuart Sayreville Twilight, 1976 Earth from site on muslin-mounted archival paper 35 x 35 in (88.9 x 88.9 cm) Framed: 41 ¼ x 41 ¼ x 2 in (104.8 x 104.8 x 5.1 cm) (GL16389)

Michelle Stuart

Sayreville Twilight, 1976

Earth from site on muslin-mounted archival paper

35 x 35 in (88.9 x 88.9 cm)
Framed: 41 ¼ x 41 ¼ x 2 in (104.8 x 104.8 x 5.1 cm)

(GL16389)

Mildred Thompson Window Painting, c. 1977 Oil on board 16 ⅞ x 16 ⅜ in (42.9 x 41.6 cm) Framed: 19 ⅞ x 19 ⅜ x 1 ½ in (50.5 x 49.2 x 3.8 cm) (GL12126)

Mildred Thompson

Window Painting, c. 1977

Oil on board

16 ⅞ x 16 ⅜ in (42.9 x 41.6 cm)
Framed: 19 ⅞ x 19 ⅜ x 1 ½ in (50.5 x 49.2 x 3.8 cm)

(GL12126)

Barthélémy Toguo Partage XX, 2023 Ink on canvas 85 x 54 in (216 x 137 cm) (GL16375)

Barthélémy Toguo

Partage XX, 2023

Ink on canvas

85 x 54 in (216 x 137 cm)

(GL16375)

Juan Uslé Viento del Este (hendiduras), 2024 Vinyl, dispersion, acrylic and dry pigment on canvas 78 x 44 ⅛ in (198 x 112 cm) (GL16401)

Juan Uslé

Viento del Este (hendiduras), 2024

Vinyl, dispersion, acrylic and dry pigment on canvas

78 x 44 ⅛ in (198 x 112 cm)

(GL16401)

Press Release

For Art Basel 2024, Galerie Lelong & Co., New York and Paris, are pleased to present works by Etel Adnan, Pierre Alechinsky, Leonardo Drew, Jean Dubuffet, Günther Förg, Ficre Ghebreyesus, Sarah Grilo, Jannis Kounellis, Ana Mendieta, Jaume Plensa, Arnulf RainerPaula RegoChristine Safa, Pinaree Sanpitak, Nancy Spero, Michelle Stuart, Antoni Tàpies, Mildred Thompson, Barthélémy Toguo, Richard Tuttle, Juan Uslé, and Fabienne Verdier.

Unlimited—Art Basel’s sector for large-scale installations, curated by Giovanni Carmine—will feature a monumental, unstretched painting by Ficre Ghebreyesus.

Making its public debut at Art Basel Unlimited, Ghebreyesus’s Untitled (2008) is a stunning chromatic exploration of pinks, blues, and purples, drawing from the bright palette of Ghebreyesus’s mature work. The abstraction evokes an intricate weaving, or a landscape populated with detailed passages. Allusions to windows and portals throughout combined with the fluid, watery composition are reminders of the movement in the artist’s life caused by war and displacement. This sense of journeying and transformation is underscored by the painting’s many and varied horizons. With its grand scale and intended proximity to the wall, Untitled also recalls the religious frescoes and murals of the artist’s childhood in Asmara, Eritrea.

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