Etel Adnan
Untitled, 2017
Oil on canvas
18.1 x 21.7 inches (46 x 55 cm)
Pierre Alechinsky
Aquatique, 1982
Acrylic and ink on paper mounted on canvas
81.1 x 90.6 inches (206 x 230 cm)
Günther Förg
Untitled, 1991
Watercolour and gouache on wove paper
13.9 x 11 inches (35.4 x 27.9 cm)
David Hockney
The Yosemite Suite No.1, 2010
iPad drawing printed on paper
Edition of 25
37 x 28 inches (94 x 71 cm)
Jean-Baptiste Huynh
Nu 79, 2015
Baryta InkJet Print
Edition of 12
27.6 x 33.5 inches (70 x 85 cm)
Alfredo Jaar
A Hundred Times Nguyen, 1994
Twenty-four framed pigment prints, framed matrix print, video, three books
Pigment prints: 25 x 54 inches (63.5 x 137 cm) each
Edition of 3 + 2 APs
Alfredo Jaar
Gold in the Morning, 1985 / 2018
Suite of three lightboxes with color transparencies
48.25 x 96.9 inches (122.6 x 246 cm) overall
Edition of 3 + 2 APs
Jannis Kounellis
Untitled, 1980
Oil, ink and pencil on paper
11 x 8.2 inches (28 x 20.9 cm)
Ana Mendieta
Untitled, 1982
Lifetime black and white photograph
54 x 39.75 inches (137.2 x 99.1 cm)
Hélio Oiticica
Untitled, 1955
Gouache on cardboard
19.5 x 19 inches (49.6 x 48 cm)
Yoko Ono
Glass Hammer, 1967 / 2014
Glass
9 x 4 x .75 inches (22.9 x 10.2 x 1.9 cm)
Edition of 6 + 2 AP
Yoko Ono
Mend Piece (Galerie Lelong, New York 2015/2016), 1966 / 2015
Ceramic, glue, tape, scissors, and twine
Dimensions variable
Jaume Plensa
Who are You ? III, 2016
Bronze
Edition of 8
15 x 6 x 7.9 inches (38 x 15 x 15 cm)
Zilia Sánchez
Topología (de la serie Azul azul), 2015
[Topology (of the Blue Blue series)]
Acrylic on stretched canvas
34.5 x 60.5 x 12 inches (87.6 x 153.7 x 30.5 cm)
Kiki Smith
Apparition, 2011
Bronze
95 x 47.5 x 4.25 inches (241.3 x 120.6 x 10.8 cm)
Nancy Spero
Helicopter / Victim II, 1968
Ink and gouache on paper
39.4 x 24.8 inches (100 x 63 cm)
Mildred Thompson
Radiation Explorations, 1994
Oil on canvas
81.1 x 133.25 inches (206.1 x 338.5 cm)
Barthélémy Toguo
Rwanda 1994, 2014
Oil on canvas
157.5 x 393.7 inches (400 x 1000 cm)
Juan Uslé
La imagen prometida, 2016
Vinyl, dispersion, acrylic and dry pigment on canvas
24 x 18.1 inches (61 x 46 cm)
GALERIE LELONG & CO.
Hall 2.0, Booth D5
LELONG EDITIONS
Hall 2.0, Booth E4
The Unlimited sector will feature works by three artists from Galerie Lelong & Co. who each encourage and foster a human connection in unique ways: Alfredo Jaar, Yoko Ono, and Barthélémy Toguo. Curated by Gianni Jetzer, Unlimited provides a platform for large-scale projects that transcend the classical art-show stand.
Viewers are invited to participate in Yoko Ono’s Mend Piece (Galerie Lelong version) (1966/2018). The installation is composed of fragments of broken cups placed on a table for the audience to mend with tape, string, glue, or other materials; the metaphor of mending and healing are close. Alfredo Jaar will present A Hundred Times Nguyen (1994), which employs multiple images of a young girl that Jaar met in a detention camp for Vietnamese refugees seeking asylum in Hong Kong. In a media landscape saturated with images, Jaar hopes that the concentration on the humanity of an individual can communicate a larger story. In 2014, 20 years after the Rwandan genocide, Barthélémy Toguo created Rwanda, 1994, to offer an image of hope and peace returning. The painting features a proliferation of vegetation that conveys the energy of indestructible life always capable of regeneration.
