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Etel Adnan

Seasons

October 29 – December 23, 2020

Etel Adnan Planète 12, 2020 Oil on canvas 13 x 8.7 inches (33 x 22 cm) Framed: 14.25 x 9.9 inches (36.2 x 25.1 cm)  GL14744
Etel Adnan Planète 16, 2020 Oil on canvas 13 x 8.7 inches (33 x 22 cm) Framed: 14.25 x 9.9 inches (36.2 x 25.1 cm)  GL14745
Etel Adnan Planète 17, 2020 Oil on canvas 36.2 x 25.2 cm 13 x 8.7 inches (33 x 22 cm) Framed: 14.25 x 9.9 inches (36.2 x 25.1 cm)  GL14746
Etel Adnan Planète 8, 2019 Oil on canvas 13 x 9.5 inches (33 x 24 cm) Framed: 14.25 x 9.9 inches (36.2 x 25.2 cm) GL14747
Etel Adnan  Signes, 2015 Ink on paper Book: 11.5 x 3.5 inches (29 x 9 cm) Full length: 165 inches (420 cm) GL10081
Etel Adnan Les quatre saisons, 2020 Oil on canvas Four parts, each: 13 x 8.7 inches (33 x 22 cm) Framed, each: 14.4 x 9.8 inches (36.5 x 25 cm) GL14722
Etel Adnan Au matin, 2017 Wool tapestry 56.3 x 78.75 inches (143 x 200 cm) Edition of 3 with 1 AP GP2298
Etel Adnan Liberté, 2017-18 Wool tapestry 55.5 x 79.5 inches (141 x 202 cm) Edition of 3 with 1 AP GP2297
Etel Adnan Vignoble, 2018 Tapestry 59 x 72.9 inches (150 x 185.1 cm) Edition of 3 with 1 AP GP2377
Etel Adnan Danse Nocturne, 2019 Wool tapestry 67.5 x 99.8 inches (171.5 x 253.5 cm) Edition of 3 with 1 AP GP2378
Etel Adnan Terre de Feu, 2018 Wool carpet 68.9 x 90.5 inches (175 x 230 cm) Edition of 6 GP2410
Etel Adnan Clairière, 2019 Wool tapestry 62.25 x 78.38 inches (158.1 x 199.1 cm) Edition of 3 with 1 AP GP2606
Etel Adnan L'Olivier, 2019 Wool tapestry 55.1 x 78.75 inches (140 x 200 cm) Edition of 3 with 1 AP GP2662
Etel Adnan Matinée récréative, 1970 / 2015 Wool tapestry 72.8 x 65 inches (185 x 165 cm) Edition of 3 with 1AP GP2079.2
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York
Installation view of Etel Adnan: Seasons at Galerie Lelong & Co., New York

Press Release

 

Galerie Lelong & Co., New York, is pleased to present Etel Adnan: Seasons, our second solo exhibition with the artist. The exhibition will show recent works by the artist, including wool tapestries, leporellos, and paintings. Known for her distinctive abstract landscapes conveyed in a harmonious palette, Adnan’s portrayal of forms, shapes, and gestures are explored in multiple mediums. A brilliant colorist, Adnan conceives her works as visual poems, each color carefully chosen in writing a language of her own. The exhibition coincides with the release of her newest book, Shifting the Silence, a rumination on the process of aging.

The exhibition takes its title from Adnan’s poem “Surge” (2017) which asks: “Why do seasons who regularly follow their appointed time, deny their kind of energy to us?“ The poem ends with “we deal with a permanent voyage, the becoming of that which itself had become.” Reading Adnan’s poetry, the recurring themes of nature vis-à-vis the passage of time demonstrate a contemplation of one’s journeys in physical and inner spaces. Adnan continues this mode of inquiry in her visual language, containing multitudes within each piece and making room for interpretation and exploration.

A highlight of Seasons is Planètes, her new body of paintings depicting planets. During the pause of her activities under quarantine, Adnan reflected on the current pandemic; turning her eye for the landscape upwards as she began painting imaginary planets and satellites in vibrant skies, a completely new subject for the artist whose oeuvre spans six decades. The Planètes series is conceived in a vertical format, with a consistent circle of color appearing in varied forms. In some works, the circle occupies and fills the composition lengthwise and in others, seems to be moving off the canvas, leaving a semi-circle. An element representing an object from our daily lives—a bicycle or an apple—grounds the composition.

In the early 1960s, Adnan discovered the mediums of wool tapestry and leporello. When her works were presented at Documenta 13 in 2012, the artist’s distinctive use of these materials was quickly established as key tenets of her practice. In the presentation, a lone mid-size tapestry was laid on a low table as a centrifugal anchor flanked by thirty-eight paintings. Inspired by her exposure to Persian carpets as a child, the artist had sought to realize her early designs over decades, engaging various international weavers before working with the historic Aubusson atelier PINTON. The unfolding of the leporellos included in the exhibition—accordion-folded booklets that reveal panoramic illustrations—immediately draws a kinship to Adnan’s literary practice and the act of reading. “I realized how much materials, for artists, are things that mediate thought… how much they become the elements of one’s expression, and instead of being just a support, they become in a way a co-author of one’s work,” writes Adnan.

Upcoming museum exhibitions presenting works by Etel Adnan will be held at the Pera Museum, Istanbul, Turkey;  Centro de Arte Contemporáneo C3A, Córdoba, Spain and the Van Gogh Museum, Amsterdam, Netherlands. 

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