
Zilia Sánchez
Victoria, 2020
Acrylic on stretched canvas
43 1/4 x 47 3/4 x 7 1/2 in (109.9 x 121.3 x 19.1 cm)
(GL15232)
Zilia Sánchez
Concepto I, 2019
Signature etched
Bronze, paint
24 x 5 x 6.6 inches (61 x 12.7 x 16.8 cm) each
30 pounds each
Edition of 5 with 2 AP
(GP2598)
Zilia Sánchez
Luna Lunar, 2000 / 2019
Marble
Top: 47.8 x 48.6 x 7.1 inches (121.5 x 123.5 x 18 cm)
Base: 16.75 x 24.4 x 11.8 inches (42.5 x 62 x 30 cm)
Overall: 62.8 x 48.6 x 11.8 inches (159.5 x 123.5 x 30 cm)
Edition of 2 with 1 AP
(GP2608)
Zilia Sánchez
Concepto II, ca. 1998 / 2019
Bronze
Each: 23 3/4 x 16 1/4 x 12 1/2 in (60.5 x 41.3 x 31.8 cm)
Each: 80 lbs.
Edition of 5 with 2 AP
(GP2600)
Zilia Sánchez
Lunar con tatuaje, 1989
Acrylic and ink on stretched canvas
35 x 47 x 4 inches (88.9 x 119.4 x 10.2 cm)
Zilia Sánchez
Lunar Blanco, 1984/89
[White Moon]
Acrylic on stretched canvas
33.5 x 24.5 x 5.5 inches (85.1 x 62.2 x 14 cm)
Zilia Sánchez
Módulo infinito, 1978
[Infinite module]
Acrylic on stretched canvas
28 x 49 x 6.5 inches (71.1 x 124.5 x 16.5 cm)
Zilia Sánchez
Sin título, 1978
[Untitled]
Acrylic on stretched canvas
72 x 117.5 x 10.5 inches (182.9 x 298.5 x 26.7 cm)
Zilia Sánchez
Lunar con Tatuaje, c. 1968-96
[Moon with Tattoo]
Acrylic on stretched canvas
71 x 72 x 12 inches (180.3 x 182.9 x 30.5 cm)
Zilia Sánchez
Sucesión [Succession], 1966
Signed and dated lower right. Titled on strainer on reverse.
Mixed media on canvas
43 x 57 x 1 1/2 in (109.2 x 144.8 x 3.8 cm)
(GL10092)
Zilia Sánchez
Sin título (de la serie Afrocubanos), 1957
[Untitled (of the Afrocuban series)]
Acrylic and ink on canvas laid on board
36 x 28 inches (91.4 x 71.1 cm)
Zilia Sánchez
El Significado del Significante, n.d.
[The Signified of the Signifier]
India ink on paper
15 x 22 inches (38.1 x 55.9 cm)
Zilia Sánchez’s work is characterized by her distinctive approach to formal abstraction through the use of undulating silhouettes, a muted color palette, and a unique, sensual vocabulary. She is primarily recognized for her shaped canvases, first created in Havana in the 1950s and further developed while living in Havana, New York City, and Madrid. Sánchez’s signature style consists of stretching canvas over hand-molded wooden armatures and painting them with acrylic. Over her 65-year career, Sánchez has explored the juxtapositions between the feminine and the masculine, the painterly and the sculptural, the personal and the universal, the exterior body and the interior self. The reduced color palettes in her compositions, as well as the serial processes she employs, connect her to Minimalism, though the sensuality and embrace of the curve in her work bear witness to the distinctive language Sánchez has developed.
Sánchez’s work had rarely been seen outside of Puerto Rico before her 2013 survey at Artists Space, New York, and 2014 solo exhibition at Galerie Lelong & Co., New York.
In 2017, her work was included in the 57th International Art Exhibition – La Biennale di Venezia, VIVA ARTE VIVA, curated by Christine Macel. In 2019, Soy Isla, a major solo exhibition of Sánchez’s work, was presented at the Phillips Collection, Washington, D.C. and toured to Museo de Arte Ponce, San Juan, Puerto Rico and El Museo del Barrio, New York, New York. In 2019, Galerie Lelong & Co. presented its second solo exhibition of the artist’s work, Eros. Sánchez’s work is featured in public collections including the Centre Pompidou, Paris; Museum of Modern Art, New York; Museo de Arte Latinoamericano de Buenos Aires, Argentina; Pérez Art Muesum, Miami; Colby College Museum of Art, Maine; Museo de Arte Contemporáneo de Puerto Rico; Museo de Arte de Puerto Rico; Princeton University Art Museum, New Jersey; Phillips Collection, Washington, D.C.; and Walker Art Center, Minnesota.
Sánchez was born in 1926 in Havana, Cuba. The artist lives and works in San Juan, Puerto Rico, where she permanently settled in the early 1970s.
El Espacio 23
2270 NW 23rd Street
Ongoing
El Museo del Barrio
New York, New York
November 20, 2019 - March 22, 2020
The Phillips Collection
Washington, DC
February 16 – May 19, 2019
by Anna Furman
February 21, 2019
by Sadie Dingfelder