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Frieze Los Angeles

Booth B17

February 16 – 19, 2023

Leonardo Drew Number 347, 2022 Wood, plaster, and paint 36 x 36 x 5 ½ in (91.4 x 91.4 x 14 cm) (GL15476)

Leonardo Drew

Number 347, 2022

Wood, plaster, and paint

36 x 36 x 5 ½ in (91.4 x 91.4 x 14 cm)

(GL15476)

Ficre Ghebreyesus Untitled, c.2002-07 Acrylic on canvas 20 x 20 in (50.8 x 50.8 cm) Framed: 22 ½ x 22 ½ x 1 ¾ in (57.1 x 57.1 x 4.4 cm) (GL13589)

Ficre Ghebreyesus

Untitled, c.2002-07

Acrylic on canvas

20 x 20 in (50.8 x 50.8 cm)
Framed: 22 ½ x 22 ½ x 1 ¾ in (57.1 x 57.1 x 4.4 cm)

(GL13589)

Alfredo Jaar A Logo for America (1987-2014), 2016 Two lightboxes with color transparencies Each: 20 x 36 in (50.8 x 91.4 cm) Edition 2 of 3 with 2 APs (#2/3) (GP2092)

Alfredo Jaar

A Logo for America (1987-2014), 2016

Two lightboxes with color transparencies

Each: 20 x 36 in (50.8 x 91.4 cm)

Edition 2 of 3 with 2 APs 

(GP2092)

Samuel Levi Jones Elite Compilation, 2022 Deconstructed Harvard Classics books on canvas 45 x 40 in (114.3 x 127 cm) Framed: 46 ¾ x 41 ¾ x 3 ½ in (118.7 x 106 x 8.9 cm) (GL15698)

Samuel Levi Jones

Elite Compilation, 2022

Deconstructed Harvard Classics books on canvas

45 x 40 in (114.3 x 127 cm)
Framed: 46 ¾ x 41 ¾ x 3 ½ in (118.7 x 106 x 8.9 cm)

(GL15698)

Ana Mendieta Flower Person, Flower Body, 1975 / 2020 Color photograph 16 x 20 in (40.6 x 50.8 cm) Framed: 22 ½ x 28 ⅞ x 1 ⅜ in (57.1 x 73.3 x 3.5 cm) Edition 3 of 10 with 3 AP (#3/10) (GP2651)

Ana Mendieta

Flower Person, Flower Body, 1975 / 2020

Color photograph

16 x 20 in (40.6 x 50.8 cm)
Framed: 22 ½ x 28 ⅞ x 1 ⅜ in (57.1 x 73.3 x 3.5 cm)

Edition of 10 with 3 AP 

(GP2651)

Jaume Plensa HORTENSIA, 2022 Bronze 72 x 29 ½ x 24 ⅜ in (183 x 75 x 62 cm) 284 kg Edition of 5 (#2/5) (GP2828)

Jaume Plensa

HORTENSIA, 2022

Bronze

72 x 29 ½ x 24 ⅜ in (183 x 75 x 62 cm)
284 kg

Edition of 5 

(GP2828)

Tariku Shiferaw Quiet As It’s Kept (Max Roach), 2023 Acrylic on canvas 72 x 60 in (182.9 x 152.4 cm) (GL15827)

Tariku Shiferaw

Quiet As It’s Kept (Max Roach), 2023

Acrylic on canvas

72 x 60 in (182.9 x 152.4 cm)

(GL15827)

Nancy Spero Screw Corporate Art, 1974 Handprinting and gouache collage on paper 9 ½ x 8 ½ in (24.1 x 21.6 cm) Framed: 13 ½ x 12 ¼ x 1 ½ in (34.3 x 31.1 x 3.8 cm) (GL9904)

Nancy Spero

Screw Corporate Art, 1974

Handprinting and gouache collage on paper

9 ½ x 8 ½ in (24.1 x 21.6 cm)
Framed: 13 ½ x 12 ¼ x 1 ½ in (34.3 x 31.1 x 3.8 cm)

(GL9904)

Pamela Phatsimo Sunstrum Walkie Talkie, 2022 Oil and pencil on wood panels 50 x 40 ⅛ in (127 x 101.9 cm) (GL15595)

Pamela Phatsimo Sunstrum

Walkie Talkie, 2022

Oil and pencil on wood panels

50 x 40 ⅛ in (127 x 101.9 cm)

(GL15595)

Barthélémy Toguo Creole Love Song, 2018 Watercolor on paper mounted on canvas 80 ¼ x 77 ½ in (203.8 x 196.8 cm) Framed: 81 ¾ x 79 x 2 in (207.6 x 200.7 x 5.1 cm) (GL15729)

Barthélémy Toguo

Creole Love Song, 2018

Watercolor on paper mounted on canvas

80 ¼ x 77 ½ in (203.8 x 196.8 cm)
Framed: 81 ¾ x 79 x 2 in (207.6 x 200.7 x 5.1 cm)

(GL15729)

Press Release

For Frieze Los Angeles 2023, Galerie Lelong & Co., New York is pleased to present works by Leonardo Drew, Ficre Ghebreyesus, Alfredo Jaar, Samuel Levi Jones, Ana Mendieta, Jaume Plensa, Tariku Shiferaw, Nancy Spero, Pamela Phatsimo Sunstrum, and Barthélémy Toguo.

New works by two artists known for their use of abstraction as a means of exploring and critiquing societal structures will make their debut at the fair. Samuel Levi Jones's practice involves taking apart "source" materials with inherent authority, such as law textbooks, and rearranging them in a new form. Jones's deconstruction of these materials provides space for an inquiry into their flaws and undermines their systems of control. For Tariku Shiferaw, who was born in Ethiopia and grew up in Los Angeles, geometric abstraction is a platform for the interrogation of cultural space-making through his signature visual language of mark-making.

Pastels by the late artist Ficre Ghebreyesus (b. 1962 - d. 2012) will also make their debut at the fair. Born in Eritrea during their War of Independence, he left as a teenaged refugee and ultimately settled in New Haven, Connecticut. His vibrant works meld figuration and abstraction, suggesting the non-linear forms of dreams, memories, and storytelling. While Ghebreyesus's work was rarely exhibited during his lifetime, recent posthumous presentations of his work include the 59th Venice Biennale and a 2020 solo exhibition at Galerie Lelong & Co., New York, the catalogue for which has recently been published.

Over the past four decades, Alfredo Jaar has used photographs, film, installation, and new media to examine complex socio-political issues and the limits and ethics of representation. The Broad, Los Angeles derived the title of their 2022 exhibition This Is Not America's Flag from the text of one of Jaar's best-known public interventions, A Logo for America (1987). This work critiqued the common usage of "America" to refer to the United States and its inherent neglect of the rest of the continent. On view in our booth will be A Logo for America (1987-2014) (2016), a lightbox work that depicts the 2014 presentation in New York’s Times Square of the 1987 animation.

Pamela Phatsimo Sunstrum's boundary-crossing practice centers Black female identity in the discourse of postcolonialism and neocolonialism and draws inspiration from a broad range of fields from ecology to physics to art history. Following the success of Sunstrum's first solo exhibition with the gallery in Fall 2022—also the artist's first major solo exhibition in New York—Sunstrum's painting Walkie Talkie (2022) will be on view in our booth. The painting takes compositional inspiration from Dutch still-lives and depicts a common dish in Sunstrum's native Botswana, layering art-historical and personal references.

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