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Elizabeth Alexander and Jason Moran

Elizabeth Alexander and Jason Moran

Conversation and Virtual Toast Honoring Ficre Ghebreyesus: Gate to the Blue

With Elizabeth Alexander and Jason Moran

Thursday, September 10, 2020 at 6:00pm (EST)

Galerie Lelong & Co. is pleased to invite you to a conversation and virtual toast with Elizabeth Alexander and Jason Moran to celebrate the opening of Ficre Ghebreyesus: Gate to the Blue, the late artist's first solo exhibition in New York City and his first with the gallery.

Elizabeth Alexander

Elizabeth Alexander – poet, educator, memoirist, scholar, and cultural advocate – is president of The Andrew W. Mellon Foundation, the nation’s largest funder in arts and culture, and humanities in higher education. Dr. Alexander has held distinguished professorships at Smith College, Columbia University, and Yale University, where she taught for 15 years and chaired the African American Studies Department. She is a Chancellor of the Academy of American Poets, serves on the Pulitzer Prize Board, and co-designed the Art for Justice Fund. Notably, Alexander composed and delivered “Praise Song for the Day” for the inauguration of President Barack Obama in 2009, and is author or co-author of fourteen books. Her book of poems, American Sublime, was a finalist for the Pulitzer Prize in Poetry in 2006, and her memoir, The Light of the World, was a finalist for the Pulitzer Prize in Biography in 2015.

Jason Moran

Jazz pianist, composer, and performance artist Jason Moran was born in Houston, TX in 1975 and earned a degree from the Manhattan School of Music, where he studied with Jaki Byard. He was named a MacArthur Fellow in 2010 and is the Artistic Director for Jazz at The Kennedy Center. Moran currently teaches at the New England Conservatory. Moran is deeply invested in reassessing and complicating the relationship between music and language, and his extensive efforts in composition, improvisation, and performance are all geared towards challenging the status quo while respecting the accomplishments of his predecessors. His activity stretches beyond the many recordings and performances with masters of the form including Charles Lloyd, Bill Frisell, and the late Sam Rivers, and his work with his trio The Bandwagon (with drummer Nasheet Waits and bassist Tarus Mateen) has resulted in a profound discography for Blue Note Records.

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