Galerie Lelong & Co. is pleased to present Samuel Levi Jones: Mass Awakening, an exhibition that examines how the artist has broadened his scope of unmaking and remaking objects to question their moral and ethical implications.
For the past decade, Jones has taken materials across varying disciplines to deconstruct and mend their associated, often unjust histories. From pulped outmoded books to stripped-apart sports equipment, the exhibition aggregates a wide-ranging body of work to consider how seemingly different narratives correlate. As Jones says, “To what extent do these forms of atrocity, when seen only in isolation, prevent us from understanding how our struggles against them are connected?”
Jones begins by locating the human stakes within the archives, in both their material and abstract forms. Reconfigured law books, for example, prompt not only a reexamination of legality and who is not, at various times, considered legal, but also how easily the law can change. A further evolution occurs in a series of pulped paper paintings. Their contents have been pulverized beyond recognition, pigmented, and then left to dry in evocative gestures.
Jones further addresses the normalization of bodily abuse embodied by football gear. Several paintings are formed from footballs and blocking pads that have been dismembered and re-sutured. The sculpture Giant (2018) is constructed from steel that once constituted a tackling dummy that Jones used for high school football practice, recalling his own personal experiences of discrimination in addition to the racism in professional team sports more broadly.
More recently, Jones expanded this approach to include fine art print portfolios. These protective objects, once at the peripheries of the artworld, have been recontextualized into an artwork. Jones’ refashioning of these artifacts reflects a broader, more international conversation on dramatic shifts in the art canon and contemporary artmaking practices. Each work in Mass Awakening, even as it pines for a different future, invokes an unsettling sense of violence and irreparable damage before being reconstituted anew.
Samuel Levi Jones was born in Marion, Indiana, in 1978, and now lives and works between Chicago, Illinois and Indianapolis, Indiana. Recently, Jones presented his first major European solo show, Let Us Grow, at Galerie Lelong & Co., Paris. Museum exhibitions include Left of Center at the Indianapolis Museum of Art at Newfields, Indiana; Infinite Blue at the Brooklyn Museum, New York; Solidary & Solitary: The Joyner/Guiffrida Collection at the Smart Museum at the University of Chicago, Illinois; and Unbound, at The Studio Museum in Harlem, New York. His work can be found in museum and public collections such as the Albright-Knox Art Gallery, Buffalo, New York; Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin; McNay Art Museum, San Antonio, Texas; Virginia Museum of Fine Arts, Richmond, Virginia; Los Angeles County Museum of Art, California; Rubell Family Collection, Florida; San Francisco Museum of Modern Art, California; The Studio Museum in Harlem, New York; and the Whitney Museum of American Art, New York. In 2014, Jones was the recipient of the Joyce Alexander Wein Artist Prize, an annual award presented by The Studio Museum in Harlem, New York.